1. Salted Caramel Sinner
(words and music by Sam Russell)
Kate:
some things never seem to go right when they’re done for the very first time
but if you work hard and try to get better to the very top you can climb
Sam:
from magazines you’ll learn all the ways certain things ought to be done
but when the moment finally arrives a fear is there you can’t outrun
Kate:
all the years you’ve waited so patient for the one to make your heart go numb
Sam:
and take you to the top of the mountain
Kate & Sam:
here it comes here it comes here it comes
Kate:
and this is what it’s like and this is how it feels
if this is what it’s like, is this how it should feel
oh darling let me know how you want it go
if this is what it’s like and this is how it feels
Sam:
people always want to talk about what they heard about what went wrong
how could they know, who would have told a secret that only two were supposed to hold
Kate:
pressure inside builds to exploding, it could burst out with just one touch
Sam: as revenge for a promise now broken
Kate
& Sam::
that you wanted kept so much
and this is what it’s like and this is how it feels
if this is what it’s like, is this how it should feel
oh darling let me know how you want it go
if this is what it’s like and this is how it feels
Kate:
I’m listening and I hear an engine outside passing by
Sam:
it moves so slowly and never stops at red...
Kate & Sam:
: ..lights
many times I’ve broke down and cried when I realized how they all lied
and that love will never be true and each time won’t feel brand new
Kate:
and maybe some things sometimes go right even on the very first try
Sam:
but if they do they’ll never get better
Kate & Sam:
time after time and night after night
and this is what it’s like and this is how it feels
if this is what it’s like, is this how it should feel
oh darling let me know how you want it go
if this is what it’s like and this is how it feels
don’t hurt me one more time...
Kate Noson-vocals
Sam Russell-vocals, acoustic guitar, electric guitar
Michael Spaly-electric violin, electric guitar
Ian Rodney-electric guitar
Joan Dirska-Hammond organ
Ken Nottingham-electric bass #1
Schuyler Jones-electric bass #2
Dave Forrester-drum kit #1, percussion
Daniel Hunt-drum kit #2, percussion
Isaac Chirino-percussion
Recorded at Egg Studios by Conrad Uno
and Crackle & Pop Studios by Johnny Sangster
Mixed at Electrokitty Studios by Johnny Sangster
2.Abercrombie Girl
(words and music by Sam Russell)
answer song to LFO’s “Summer Girls”
Allison:
you wake up in the morning, ready to start working
you slip on your worn-out shoes and wait
Shelby:
all day long to see her, you dream of being with her
but at night, you’re on your lonely way
Kate:
into your apartment where you’ll turn on the TV
pretty soon it’s only her you’re...
Allison, Shelby & Kate:
...watching on the screen and
your feet start tapping
your toes start laughing
your stuck on the Abercrombie Girl
and all the day long
you’ll give in and play along
because you’re stuck on the Abercrombie Girl
Sam:
it started off so gently, you swore that you wouldn’t be
in deep always wishing she was there
James:
you thought that she was cute so you asked her out one night
and had fun til she asked you in
Michael:
then you went upstairs and took a look around
and something deep inside said...
Sam, James & Michael:
“we got to get out now!” but
Allison. Shelby, Kate, Sam, James, Michael, Scott & Nathan:
your feet start tapping
your toes start laughing
your stuck on the Abercrombie Girl
and all the day long
you’ll give in and play along
because you’re stuck on the Abercrombie Girl
Shelby:
wipe those thoughts out of your mind child
Kate & Allison:
if you know what’s good for you
Allison:
and now it’s time to step right up now
Allison. Shelby, Kate, Sam, James, Michael, Scott & Nathan:
and take whatever the teller gives to you.
cause your feet start tapping
your toes start laughing
your stuck on the Abercrombie Girl
and all the day long
you’ll give in and play along
because you’re stuck on the Abercrombie Girl..
Sam:
and any gift you’ll ever buy her
Michael:
well she’ll take it right on back
Kate &
James:
and exchange it for a brand name
Allison. Shelby, Kate, Sam, James, Michael, Scott & Nathan:
and a color completely different cause
your feet start tapping
your toes start laughing
your stuck on the Abercrombie Girl
and all the day long
you’ll give in and play along
because you’re stuck on the Abercrombie Girl
Allison Tulloss-lead vocals, flute, keyboards
Shelby Earl-lead vocals, percussion
Kate Noson-lead vocals, percussion
Sam Russell-lead vocals, acoustic & electric guitars, keyboards, percussion
James Apollo-lead vocals
Michael Spaly-lead vocals, electric guitar, violin, mandolin, nose flute
Nathan Wade-backing vocals
Scott Andrew-backing vocals
Joan Dirska-Hammond organ, farfisa, other keyboards gang vocals
Rachel Ferguson-gang vocals
Andrea Yoshida-gang vocals, viola
Chris Mulally-gang vocals, percussion
Clayton Ballard-gang vocals
Justin Roeser-backing vocals, percussion
Schuyler Jones-electric bass #1
Ken Nottingham-electric bass #2, gang vocals
Dave Forrester-drum kit #1, percussion
Daniel Hunt-drum kit #2, percussion
Isaac Chirino-congas, percussion, drum break, gang vocals
Karl Benitez-trumpet, trombone
Recorded at Egg Studios by Conrad Uno
, Crackle & Pop by Johnny Sangster,
and Chroma Studios by Brad Zeffren
Mixed by Johnny Sangster at Electrokitty Studios
3.The Legend of Christopher Moon
(music and lyrics by Sam Russell)
Sam:
well let me tell you about Mister Christopher Moon
he goes out at night armed with a bowl and spoon
seeing what soup can be found
served up all around the town
the one and only Mister Christopher Moon
Michael:
well Mister Moon rides himself around
he lifts his wheels right on off the ground
Michael & James:
and there might be a woman there
Michael:
whether or not,
Michael & James:
he don’t care
Michael & Sam:
the one and only Mister Christopher Moon
Shelby:
he'd say...
Shelby & Kate:
“C’mon and be my bomp-ba-bom
c’mon and be my shoo-bop-shoo-bop
c’mon and be my rima-lima-ding-dong
come on and be me blue blue blue blue moon
Sam:
well Mister Moon come into town with a girl
Sam & Allison:
he left with one more after leaving her
Michael:
came back had the first once more
Michael & Allison:
then he just went back and forth
Michael, Sam & Allison:
the one and only Mister Christopher Moon
Shelby:
well Mister Moon loves the little girls
Shelby & Allison:
the little girls in and out of his world
Sam:
all the little girls the hang around
Sam, Michael, & Allison:
do the frog and hang upside down
Sam, Michael, Shelby, & Allison:
all for the love of Mister Christopher Moon, he’d say
Sam, Michael, Shelby, Kate & Allison:
“C’mon and be my bomp-ba-bom
c’mon and be my shoo-bop-shoo-bop
c’mon and be my rima-lima-ding-dong
come on and be me blue blue blue blue moon
blue blue moon, blue blue moon...”
Sam:
well Mister Moon went south to take a chance
Michael:
he went down there for a real-life romance
Shelby:
and he fell down and high she stayed, left him on the Texas floor to lay
Sam, Michael & Shelby:
: the only and only Mister Christopher Moon
Sam, Michael, Shelby, Kate, Allison, Scott, James, Nathan:
I’d go out searching for Christopher Moon
in every two-bit rundowntown saloon
Sam:
Diana would say,”I don’t know..
Sam & Kate:
how that boy he comes or goes, tell me
Sam, Michael, Shelby, Kate, Allison, Scott, James, Nathan:
what’ll we do with Mister Christopher Moon?” he’d say..
“C’mon and be my bomp-ba-bom
c’mon and be my shoo-bop-shoo-bop
c’mon and be my rima-lima-ding-dong
come on and be me blue blue blue blue moon”
Shelby:
well Mister Moon tried to settle down
Michael:
keep on his finger a lucky ring he found
Shelby:
swearing this time it’ll last, them days of heartbreak in the past
Shelby & Michael:
the one and only Mister Christopher Moon
Sam:
well on my left arm I got me a tattoo
Shelby, Scott, Nathan:
bop-shoo-wop, bop-bop shoo-wop
Sam:
a tattoo of a cheese-filled cartoon moon
Michael, Shelby, Kate, Allison, Scott, James, Nathan:
bop-shoo-bop, bop-bop-shoo-wop
Sam:
people say,
Sam, Michael, Scott, James & Nathan:
“What’s that ‘bout?”
Sam:
I just say “Hey c’mon now...
let me tell ya ‘bout Mister Christopher Moon”
Sam Russell-lead vocals, acoustic guitar, electric guitar, keyboards, percussion
Michael Spaly-lead vocals, electric guitars, violins, mandolin
Shelby Earl-lead vocals
Kate Noson-backing vocals, percussion
Allison Tulloss-backing vocals, flute
Scott Andrew-backing vocals
Nathan Wade-backing vocals
James Apollo-backing vocals, harmonica
Clay Ballard-accordion, gang vocals
Rachel Ferguson-gang vocals
Joan Dirska-gang vocals
Andrea Yoshida-gang vocals
Kjell Anderson-lead fiddle, gang vocals
Ken Nottingham-electric bass, gang vocals
Schuyler Jones-fuzz bass, gang vocals
Micah Hulscher-keyboards
Dave Forrester-drum kit #1, percussion
Dennis Jolin-drum kit #2, percussion
Isaac Chirino-percussion
drums-Dave
Recorded at Egg Studios by Conrad Uno,
, Crackle & Pop & Electrokitty Studios by Johnny Sangster,
Chroma Studios by Brad Zeffren
Mixed by Johnny Sangster at Electrokitty Studios
4. Artificial Chocolate
(words & music by Sam Russell)
My legs were turning yellow, the shade of Easter hay
cracked on a barn floor, unable to move
and I was trying to find my way by digging through the clay
to find the kind that created me and you
I said ‘baby put down that guitar, I’ll keep you warm don’t fall apart
I’ll turn this cold beach into a high noon lawn
and I’ll put on my blue dress, we’ll hit the road as travelers blessed
venture to Bellingham and beyond
because everything you say when you look at me that way
is like a heavy rock thrown into a small pond
tonight I want to see where all the spotlights in the sky are coming from
feel your breath to make my body hum
and shouldn’t we be seeing leaves by now, seeing the leaves change back to brown
is this a trick to have a summer before fall?
cause summer goes by so fast, you’ll think to yourself as leaves go past
‘haven’t I been through this before, haven’t I been through this before’
(coming down hard)
on artificial chocolate
(coming down hard)
where to land you’ll wonder where
coming down hard
in a neverending summer baby
roll of the bones is racing through the air
and what have I been doing all this time but waiting to follow through
pack it up and go back to New York?
pouring all my energy into someone with I should not be
finding a reason to put back in the cork
and you turn me around from that direction that I’ve found
so I can’t see if or where trust should be stored
and you’re always keeping score and making love a chore
wearing a purple heart for a forgotten war”
(coming down hard)
on artificial chocolate
(coming down hard)
where to land you’ll wonder where
coming down hard
in a neverending summer baby
roll of the bones is racing through the air
they’ll say "Diana you’re so thin when I come back home again
you don’t take care of yourself, let your family instead"
so I eat and gain the weight cause you know I always hate
to disappoint so I give in to the dread”
and I could feel the magic gone, I knew something had gone wrong
from the moment when it first appeared
you know the first time that we kissed, you said you were scared but I missed
what I saw as confidence you felt as fear
and I know that something broke inside when you were a kid and still called Josh
some bullies pushed you and some courage then got lost
and now you promise all the pearls you found with me to other girls
and me leaving now has to make up the cost
cause I can’t be around to repair everything fucked up in there
you have to be alone to figure out what’s wrong
even though you worship me, it’s safe baby to need
a lover to cover what you haven’t yet let bleed
and shouldn’t we be seeing leaves by now, seeing the leaves change back to brown
is this a trick to have a summer before fall
cause summer goes by so fast you think to yourself as leaves go past
haven’t I been though this before, haven’t I been through this before
(coming down hard)
on artificial chocolate
(coming down hard)
it’s OK not to be scared
coming down hard
in a neverending summer baby
roll of the bones is racing through the air
it’s racing through the air, it’s racing through the air
you can’t see, you can’t see everything that you did in hear
but you know that something’s wrong and I know that something's wrong
but you can’t see, you can’t see, you can’t see...
Sam Russell-lead vocals, acoustic & electric guitars
Allison Tulloss-backing vocals, electric piano
Michael Spaly-acoustic & electric guitars, violins, mandolin
Andrea Yoshida-viola
John Simpson-cello
Schuyler Jones-electric bass
isaac Chirino-drums, congas, percussion
Recorded at Egg Studios by Conrad Uno
and Chroma Studios by Brad Zeffren
mixed by Johnny Sangster at Avast! Recording Co.
5. Waiting on the Waffle
(words by Sam Russell
music by Sam Russell & Sean Lambrecht)
Sam:
-waiting on the waffle to come around
I’ve been waiting on the waffle to fall right down
I’ve been waiting on the waffle to pop right up
I’ve been waiting on the waffle to come
well nighttime comes I don’t what to do
I get alone and I just think of you
I started to worry a long time ago
I started to worry about what, now I know
I was waiting, I was waiting
Sam & James:
me and Adam we were best friends
all the way from 7th grade up to the 10th
taking in sights we could not believe
to roll back the tongue and choke all the cheese
we were waiting
Nathan:
we were waiting
Sam & James:
we were waiting
Sam, James & Nathan:
for that one perfect creature to come right along
and give it all up for a joke and a song
how else to go about we never saw
we was waiting on a waffle to pop right up we was waiting
I was waiting
Sam & James:
we was waiting on the waffle to come around
waiting on the waffle to fall right down
waiting on the waffle to pop right up
we was waiting on the waffle to come
Sam & James:
if I had some jam I’d get me a jar
and bury it deep down in my backyard
dream all day of that sticky sweet
at home all night waiting for me
yeah waiting
Nathan :
waiting
Sam:
yeah waiting
Kate:
waiting
Sam, James, Allison, & Nathan:
to be whatever fruit I might be thinking of
a peach apple cherry banana or plum
taken it straight off the back of the truck
where I’m hangin’ around and pushin’ my luck and waiting
Nathan & Kate:
I’ve been waiting!
Sam, James & Allison:
yeah waiting
Nathan:
I’ve been waiting
Sam, James, Nathan, Allison, Kate, Michael Scott & Shelby:
all: yeah I’ve been waiting on a waffle to come around
I’ve been waiting on a waffle to fall right down
I’ve been waiting on a waffle to pop right up
I’ve been waiting on the waffle to come
Sam & James:
when I think of the chances I've had I'll get lost
I’ll stop dreaming of you and start paying cost
the sight of you standing there waiting to touch
by all of the rest is suddenly dropped
and I’m waiting
Allison:
waiting
Sam:
yeah I’m waiting
Allison:
waiting
Sam & James:
for that one perfect creature to come right along
and give it all up for a joke and a song
how else to go about I never saw
I been waiting on the waffle to pop right up I been
Sam, James, Nathan, Allison, Kate, Michael, Scott & Shelby:
all: waiting on a waffle to come around
I been waiting on a waffle to fall right down
I been waiting on a waffle to pop right up
I been waiting on the waffle to come
Sam & James:
I been waiting on the waffle
Nathan, Kate & Allison:
waiting on the waffle
Sam & James:
waiting on the waffle
Nathan, Kate & Allison:
waiting on the waffle
Sam, Nathan, James, Kate & Allison:
waiting on the waffle to come around
I been waiting on the waffle to come
Sam, Nathan, James, Kate:
I been waiting on the waffle
Allison, Michael, Shelby, Scott:
waiting on the waffle
Sam, Nathan, James, Kate:
waiting on the waffle
Allison, Michael, Shelby, Scott:
waiting on the waffle
Sam, Nathan, James, Kate & Allison:
waiting on the waffle to come around
I been waiting on the waffle to come
Recorded at Egg, Crackle & Pop and Chroma by Conrad, Johnny, & Brad
Mixed at Electrokitty by Johnny
Sam Russell-lead vocals, acoustic guitar, electric guitar
Nathan Wade-backing vocals
James Apollo-backing vocals
Kate Noson-backing vocals
Allison Tulloss-backing vocals
Shelby Earl-backing vocals
Scott Andrew-backing vocals
Michael Spaly-backing vocals, acoustic guitar
Kjell Anderson-fiddle, gang vocals
Micah Hulscher-Hammond, piano
Ken Nottingham-upright bass, gang vocals
Dave Forrester-drums, gang vocals
Michael Duncan-accordion
6. Panthers Medley: Panthers/I Want it That Way
("Panthers" written by Jeff Tweedy, John Stirratt, Glenn Kotche, Mikael Jorgensen, Leroy Bach
originally performed by Wilco
"I Want it That Way" written by Max Martin & Andrea Carlsson
originally performed by The Backstreet Boys)
A. Panthers
Sam:
Temper is a package, pulling at it’s bow
darling, disasters help you grow
Kate:
Panthers build their plots to bury
Kate & Allison:
Daughters leave their dads to marry
Sam:
Hide with me in the weeds
Sam, Kate & Allison:
I’m proving death again
Temper is the warp speed of red flashes
All the bells ringing God forbid
Did I catch you in the flashes?
Did I catch you in the flashes?
Hide with me in the weeds
I’m proving death again
B.I Want it That Way
Sam:
you are my fire, my one desire
believe me when I say
that I want it that way
Allison:
but we are two worlds far apart
and I can’t reach down into your heart
when you say
Allison & Sam:
: that I want it that way
Sam:
tell me why
Kate:
ain’t nothing but a heartache
Sam:
tell me why
Allison:
ain’t nothing but a mistake
Sam:
tell me why
Kate:
I never want to hear you say
Sam, Kate & Allison:
that I want it that way
Kate:
am I your fire, your one desire
Sam:
and I know that it’s too late
Sam, Kate & Allison:
but I want it that way
Kate:
tell me why
Sam:
ain’t nothing but a heartache
Allison:
tell me why
Sam:
ain’t nothing but a mistake
Kate:
tell me why
Sam: I never want to hear you say
Sam, Kate & Allison:
that I want it that way
now I can see that we’ve fallen apart from the way that it used to be
no matter the distance I want you to know that deep down inside of me
Sam:
I’m proving death...
Kate
& Allison:
bomp-bomp-bom, bomp-ba-bom...
Sam Russell-lead vocals, acoustic & electric guitars
Kate Noson-lead vocals
Allison Tulloss-lead vocals
Michael Spaly-electric & acoustic guitars, mandolin, violin
Joan Dirska-piano and Hammond
Clayton Ballard-accordion
Ken Nottingham-bass
Dave Forrester-drum kit #1
Isaac Chirino-drum kit #2, percussion
recorded at Egg Studios by Conrad Uno
and Brad Zeffren at Chroma Sound
mixed by Johnny Sangster at Avast! Recording Co.
7. Empty Classrooms (Lou Reed sings for Doc Pomus
in Prospect Park, Summer 2007)
this song contains direct musical and lyrical quotes from
”Slip Away” (written by Marcus Daniels/William Armstrong/Wilbur Terrell,
as originally performed by Clarence Carter)
and
”Street Hassle” by Lou Reed (written and performed by Lou Reed)
(all other lyrics and music by Sam Russell)
Sam:
"and this is what it's like
and this is how it feels"
“what would I give for just a few moments?
what would I give just to have you near?” *
back in elementary school, the basketball players were all cool
at least the ones that played almost the whole game
see the coach had to put in each kid a little bit
to satisfy the parents that came out to watch them
I’d get put in near end, grab the ball take a shot
miss it by a mile then get taken right out
go back to sidelines and sitting across from
the cheerleaders crouched and waiting to pop
as our team would go blazing down our side of the court
jumping up and screaming when one of us scored
a sixth-grader would take that chance to sneak off
and a cheerleader would then do the same from across
and a teacher would leave to go looking for them
find them in an empty classroom and the game then would end
my mom would pick me up in the back parking lot
I’d get in she’d have oldies radio on
the singer singing about doing something wrong
mom would make a face then turn the radio off
but it was too late I was already singing along
to the girl that I was sure that I loved
”to slip away without him knowing that you’re gone
then we can meet somewhere where we’re both unknown..
so can you slip away....” *
...to an empty classroom
my parents were religious started raising us strict
in high school I was starting to disappoint them
dad would come down on me I’d freeze in the face
the pressure peaking on graduation day
he’d call me a sinner and I’d gasp trying to speak
no words would come out, I’d panic couldn’t breathe
when I met Diana she said “Please let me in
so you’ll learn not to fear love and sin.
”I’ll be the one girl who was so kind to you
who tried talking to you but you wouldn’t let her through
we’ll walk through empty halls past empty classrooms
afterschool as sophomores searching for clues
on graduation I’ll have a party at my house
with a volleyball net and a big lawn around
there’ll be pictures of me from the last three years
dates to dances you wouldn’t take me to
you were too scared
I’ll leave my boyfriend’s side to come and find you
say I need just a minute come upstairs to my room
I’ll ask why you wouldn’t accept my charity
why you had to close off why you had to hurt me
you’ll stand there I’ll take your trembling hand
in that transfer of grace you will become a man
by forgetting about the hell that scares you so
I’ll put on Lou Reed, let the record turn slow’ and he’ll sing”
”cascading slowly she lifted him boldly and slowly out of this world
depite people’s derision she was more than a diversion and
sha-la-la-la later on
and then sha-la-la-la she entered him slowly
and showed him where she was coming from
and then sha-la-la-la-la she made love to him gently
it was like he’d never come’
”it was like he’d slip away,** so can you
slip away....” *
”...to an empty classroom”
and you know by now what I’m getting at
it’s taken winter spring and summer to get to it
but we were at the bar for Cathy’s going away drink
we talked about family and that made me think
about you between the shared working hours
contact, conversation started picking up power
and I know that you have a boyfriend
and you just finished school and it’s been too soon since
she lost faith in me due to my actions
but just knowing you now something is coming back
just a slight excitement, an injection of hope
that a sad ending isn’t all that we’re meant to know
what we say with our eyes in much more than our mouths
it’s tough to hold back now but I’m forgetting how
and I might cross the line by asking you once
to meet me at dawn on the wet campus lawn
”and slip away without him knowing that you’re gone
then we can meet somewhere where we’re both unknown”
so can you slip away...” *
...to an empty classroom
*-quote from “Slip Away”
**-quote from “Street Hassle”
Sam Russell-lead vocals, electric guitars, theramin, percussion
Michael Spaly-acoustic guitar, mandolin, violin
James-accordion, Wurlitzer, other keyboards, hollow-body guitar
Andrea Yoshida-viola
Justin Roeser-slide guitar, percussion
Joan Dirska-piano, Hammond organ, mellotron
Nathan Wade-singing saw
Sean Fairchild-six-string electric bass
Schuyler Jones-four-string electric bass
Isaac Chirino-drum kit
Recorded at Egg Studios by Conrad Uno,
, Crackle & Pop by Johnny Sangster,
Chroma Studios by Brad Zeffren & Nick Narny
Mixed by Johnny Sangster at Electrokitty Studios
8. My Pink Booth
(words by Sam Russell
music by Sam Russell/Sean Lambrecht)
you thought that I was something special
one little look gave it away
I always watched in amazement
the one that I wanted being replaced
and I know that I acted like a child
couldn’t peel shell of the egg
the trouble came in remembering
the moment while another was taking place
then I’d bring back every word you said
consider gospel what should have been dead but
only in the shelter of my pink booth
could I confess at all in my pink booth
and fill every corner in my pink booth
to make the curtain fall in my pink booth
I didn’t take all I wanted
but I didn’t stop wanting all I could take
only when I was abandoned
I decided to do to another the same
after begging for penance on the floor
spilling my same sin over and over
trembling in the brightness of my pink booth
a light always providing in my pink booth
and funneling fulfillment in my pink booth
til we’re safe and secure in my pink booth
my pink booth little by little is crumbling down
I must go in one last time to empty out
knowing just one more opening is all I get
to hide away and truly repent
but i don’t want to let go of what I want
and miss all the juices I know will haunt
and think it’s not too late to right a wrong
even as alarms keep going off
and they’ll ring in the walls of my pink booth
going ding-dong-ding in my pink booth
the clanging here to stay in my pink booth
so I’ll sink all the way in my pink booth
where the milkman sings in my pink booth
and the half-wing wrings in my pink booth
on the throne sits the king of my pink booth
Mama don’t take away my pink booth
Mama don’t take away my pink booth
Sam Russell-lead vocals, electric guitars
Sean Lambrecht-keyboards, electric guitar, outro bass
Clay Ballard-backing vocals
James Apollo-backing vocals
Michael Spaly-violins
Andrea Yoshida-viola
Joan Dirska-keyboards
Andrew Blakehall-keyboards
Schuyler Jones-electric bass #1
Russ Fuller-electric bass #2
Daniel Hunt-drum kit #1
Isaac Chirino-drum kit #2, percussion
Dennis Jolin-cowbell, percussion, Speak n' Say
recorded at Egg Studios by Conrad Uno
mixed by Johnny Sangster at Avast! Recording Co.